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A century of Messiahs 

Every performance of Handel’s Messiah is a special event, and Auckland Choral’s 2018 performance will be extra-special, as it is the choir's one hundredth consecutive year of Messiah performances. Since the choir’s founding in 1855 there have only been 2 exceptions – the outbreak of World War I and the flu epidemic of 1918. To celebrate this momentous century of Messiahs, the choir will be joined by visiting singers from choral groups near and far, and a stunning line-up of soloists will lead the choir, including New Zealand’s most famous tenor Simon O’Neill, Mezzo-soprano Deborah Humble, soprano Marlena Devoe, and bass Martin Snell whose “Trumpet Shall Sound” stays in the memory all year round. Join us again to welcome this year’s Christmas and to be part of our amazing “one hundrednot-out” tradition.

 

 

Marlena Devoe soprano

Deborah Humble Mezzo-soprano 

Simon O’Neill tenor

Martin Snell bass

Uwe Grodd conductor

Auckland Choral

New Zealand and international guest choirs including City Choir Dunedin and Brisbane Chorale

Pipers Sinfonia

 

Sunday, 16 December 5.00pm

Monday, 17 December 7.30pm

Auckland Town Hall

 

ticketmaster.co.nz / 09 970 9700

$42–$97.50 concession available

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Auckland Choral 100th Hallelujahs Documentary trailer

Who we are: Get to know some of our choir members

  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
  • Nigel High

    Picture of Nigel HighNigel grew up choral singing with the choirs of Kings School and Kings College in Auckland, but then took a break for the next 30 years while focusing on his career as a Consulting Engineer in Ottawa Canada where he moved with his wife in 1981. Later he joined a choir in Ottawa as a way of relieving the stresses of the daily grind, and found that he really enjoyed the challenge, stimulation, and therapy that choral singing provides. He sang with Coro Vivo Ottawa and the Ottawa Festival Chorus for many years, and part time with Auckland Choral since 2006 on his many visits back to New Zealand, before moving back to Auckland with his wife Ming, last year.  He sings as a Tenor 2.

    He thoroughly enjoys the music and camaraderie of Auckland Choral, and the high standards demanded by the professional team headed up by Uwe Grod.  While not singing, he spends as much time as possible sailing on the waters of the Hauraki gulf, and since retiring is a keen traveler and cruiser.   

     
  • Marion Hammond

    Picture of Marion HammondMarion has been a member of Auckland Choral since 2008 and has recently become both a trustee and the Treasurer of the Foundation. She is responsible for all the financial transactions undertaken by the Foundation and prepares the year end accounts and reporting requirements required by the Charities Services. She also works closely with the Auckland Foundation with whom we have a partnership and together are working hard to fund choral singing in Auckland and New Zealand.
    Professionally working as an accountant for a property management firm Marion also utilises her skills as Treasurer for the Auckland Dragon Boat Association, a role she has held for over nine years. Her background also includes volunteering for Amateur Theatre Companies in production and management roles which have furthered her knowledge of voluntary organisations.

     
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